Zitat Seschen:
Warum sollte man das Wort rückwärts lesen, um eine Ähnlichkeit in einer anderen Sprache zu finden
Die Leserichtung der Hieroglyphen ist eindeutig.
Rechts links / links rechts ?
(aber ich sehe die Eule gucken...  )
Und "Djinni" oder etwas dass so lautet ist keine fremde Sprache dachte ich...
http://www.pyramidtexts.com/utterance294.htmSaid (in the Antechamber facing East) is the solitary Word, so that such a (consciousness of) Second Sight will Un-is be, which levitates in the Nile acacia, which levitates in the Nile acacia, for which there is commanded, "Guard your (Star) self, O lion;" for which the command levitates, (of) "Guard your (Star) self, O lion." It is because Un-is has levitated in his Djinni-bottle and it is because he has tranced in his Djinni-bottle, that Un-is will appear in glory in the morning. (Djinni = djenit)
http://www.shira.net/egypt-goddess.htmAs the sun god Ra grew older, he became fearful of his enemies and asked Hathor to help him. She took on the job with a vengeance and turned into Sekhmet, the lioness goddess, and seemed to enjoy the killing. Ra then worried that she would wipe out the entire human race, so he had red dye mixed in ale and spread about the land. Hathor, thinking it was blood, drank it and became so intoxicated that she forgot her assignment and humankind was saved. Pacified by the beer, she resumed her persona as the beautiful Hathor and returned to Ra.
http://www.philae.nu/akhet/Femalepriests.html :
The Middle Kingdom:
It seems that not very much is known from this period, more than that women were still essential for the musical troupe, the wrt-hnr. Some of these held the title of Chantress, smt. There are also three stelae recognizing the difference between female and male musicians and singers.
http://www.juggling.org/jw/86/2/egypt.html :
According to Dr. Bianchi, "In tomb 15, the prince is looking on to things he enjoyed in life that he wishes to take to the next world. The fact that jugglers are represented in a tomb suggests religious significance. There is an analogy between balls and circular mirrors, as round things were used to represent solar objects, birth and death."
Ms. Diane Guzman, Brooklyn Museum librarian, said even the most mundane events in ancient Egypt were performed ritually -- another point in favor of the spiritualists.
Six anthropologists have written extensively on the subject of ball play in ancient Egypt. Their interpretations which the case for both spiritual and athletic interpretation of the juggling on the tomb wall. C.E. Devries, R.W. Henderson and S. Mender favor the ritual interpretation. They draw an analogy to Osiris and Isis, and believe the round objects may represent seeds juggled as Order over Chaos, guaranteeing fertile soil and good crop harvests (represented in the fourth register). Weaving could represent order from the crops. The second register finishes with sculpture, possibly relating to a fertility deity.
Aigner and E. Mehl argue that since jugglers weren't represented on a very large scale, and since it was represented as practiced by youth in the early and middle periods, and since there is no legible writing above the figures, it was more possibly just a gymnastic exercise popular in the same sense as playing jacks today. The sixth anthropologist is Wolfgang Decker. He has written two books on the subject, one of which cities the possibility of both views.
hnr (Hener) - These were the temple musicians and dancers. While the majority of these were women, men also participated in the Hener troupe (Lesko 1999.245). They were lead by a Weret Hener (wrt-hnr), a priestess of high rank (Robins 1993.148-149). Music and dancing were performed to promote fertility and rebirth, as such the Hener participated in almost all ceremonies from festivals to funerals (Pinch 1993.213).
http://www.horemheb.com/sexuality.htmlIn this essay I propose a specific social theory: that young girls left their 'household' soon after their first blood in order to serve Hathor, the fertility goddess, become pregnant and give birth, thereby proving that they were healthy and marriageable. The practice was socially condoned life-and-death initiation ritual for all young girls of every social status, not wanton sexuality. Those who passed the test of giving birth to a healthy baby and staying alive themselves, returned home to get married.
Which women participated in the festivals and how?
Young pubescent girls, according to the pictorial evidence, joined itinerant groups of musicians/dancers/singers who went from one town to the next from one local festival to another, presumably to provide the entertainment. The itinerant groups would consist of commoners.
The girls provide an ongoing entertainment of acrobatics, dances, games, music and singing. The entertainment becomes heightened as the beer or wine intoxicate both players and festival goers, and chances are that hallucinogenic plants have also been mixed into either the food or the drinks. The priests declare the fertility prowess of their local deity, and the men and boys of the village begin to lure or chase the musicians, dancers and singers and, in their mutually aroused state, will engage them sexually according to local custom. Everyone sleeps off the effects of the festival wherever they laid their heads down, and begin the clean-up at sunrise.
Gruß, Jan
> Antwort auf Beitrag vom: 24.02.2007 um 03:35:31
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